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☆ 'The Exorcist: Believer' and Hispanic audiences: A match made in horror movie heaven
▼ + stars: | 2023-10-05 | by ( Mike Calia | ) www.cnbc.com time to read: +8 min

In this article CMCSAUVV Follow your favorite stocks CREATE FREE ACCOUNTStill from the set of "The Exorcist: Believer." The new "Exorcist" movie will draw big Hispanic audiences. Universal is seeing stronger-than-average Hispanic interest for "The Exorcist: Believer" as the movie heads into its opening weekend, according to people familiar with the matter. Hispanic and Latino viewers will have a big say in how "The Exorcist: Believer" does at the box office, no matter what. They tend to represent 26% of horror movie audiences, compared with 20% for other genres, according to the Comscore/Screen Engine PostTrak Audience Survey.

Persons: Lea, Rolando Rodriguez, Leslie Odom Jr, Hamilton, Taylor Swift, Paul Dergarabedian, R.C, Jara, Max von Sydow, Linda Blair, Bela Lugosi, Guillermo del Toro, bogeyman El, Llorona, Angel Melanson, they're, William Peter Blatty, Ellen Burstyn, Jason Miller, Melanson, David Gordon Green, Alfred Hitchcock's, William Friedkin, there's, Green Organizations: Studios, National Association of Theatre Owners, Comscore, Survey, Bettmann, Getty, Universal, CNBC, Pew Research Center, Universal Studios, Hollywood Locations: Cuban, Georgia, Hollywood, United States

☆ Why the 1932 Movie ‘Freaks’ Is a Touchstone for Disability Representation
▼ + stars: | 2023-06-26 | by ( Nicolas Rapold | ) www.nytimes.com time to read: +1 min

Hollywood’s track record for portraying people with disabilities has been sketchy at best. There have been inspirational figures, noble martyrs and lovable oddballs — some of these performances garnering Academy Awards — but there aren’t a lot of people simply living their lives. The search for truly resonant disability representation in the history of cinema is continuing, but over the decades, many scholars keep returning to a perhaps surprising touchstone: a 91-year-old film set in a circus. Tod Browning’s most widely known work is “Dracula” (1931), starring Bela Lugosi, but the next year, he broke new ground with a movie featuring an extensive cast of actors with disabilities. Browning’s “Freaks” (available on most major platforms) centers on a close-knit group of circus sideshow performers who rally around a friend after he is betrayed by his lover, a trapeze artist.

Persons: Tod Browning’s, ”, Bela Lugosi, Harry Earles, Hans, Browning, “, Frances O’Connor Organizations: “ Spurs, Ringling Brothers

☆ 'Renfield': Nic Cage's Dracula had an unusual inspiration, says Nicholas Hoult
▼ + stars: | 2023-04-14 | by ( Thomas Page | ) edition.cnn.com time to read: +2 min

CNN —Think Dracula and the cape, the fangs and bloodlust come to mind. Nic Cage thought Dracula and saw Anne Bancroft in “The Graduate.”That’s according to Nicholas Hoult, who plays the titular servant to Dracula in “Renfield,” a new take on Bram Stoker’s characters. “I don’t think it gets more iconic than Nic Cage playing Dracula,” Hoult told CNN. Dracula is a character that requires an actor to go big or go home – and with good reason. “Nic Cage describes this idea of love in exile, and Dracula being someone who’s in extreme pain, because he has to watch everyone that he loves die,” said Hoult.

“It’s fascinating how people seek queerness — and where they seek queerness,” Fuller added. Murnau’s “Faust” and “Nosferatu,” such moments of levity keep viewers engaged while they’re soaking up early Hollywood’s rich queer history. “Whether you’re ideologically queer or sexually queer, you might relate to the monster’s narrative, because you, too, have felt ‘outsidered’ or villainized in some way.” Bryan fuller, 'queer for fear' executive producer“The Dracula costume kit is basically drag. So this, to me, is the experience of being a gay man.”As Alaska’s assessment demonstrates, “Queer for Fear” isn’t interested in just exploring how horror has provided a haven for queer creatives. Because of the Hays Code, LGBTQ creators and those, like Hitchcock, who wanted to include those themes had to do so through subtext, which counterintuitively gave birth to some of the most essential queer horror ever made.

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